The album was recorded at Auerbach’s Easy Eye Sound Studio in Nashville summer 2021, with acclaimed musicians including Chris St. King and Auerbach set out to capture the classic power trio sound, which was pioneered in the late 60s and 70s, with a distinct sonic triad of bass, drums, and guitar. “Music runs so deep in Marcus’s blood he might not even realize how born to do this he is. One of his biggest fans, Dan Auerbach exclaimed. For more information please visit Here.ĭespite challenging personal circumstances, King has made his most accomplished work to date. He is currently on a world tour with headline dates across the U.S and Europe and festivals, recently including Stagecoach. Soon to become rock royalty with the release of Young Blood, a timeless concoction of swaggering rock and supersonic soul, drawing on his most stadium sized rock influences. The 26-year-old Grammy nominated innovative songwriter and phenomenal performer.
Pre-order available HereĪll hail to Marcus King. The album was produced by Dan Auerbach and will be released August 26 on Rick Rubin’s American Records/Republic Records. Hilaire on drums and Nick Movshon on bass. This is also one of the first times I collaborated with our good friend, the amazingly talented artist/ writer Andrew Gabbard.”Īccompanying the song release, King released a moody live video, created at Auerbach’s Easy Eye Sound Studio, it features acclaimed musicians including Chris St. “This song is a literal cry for help, one of the least metaphorical tracks on the record and a memory that’s difficult to relive each night but is important to remember. “‘Rescue Me’ cuts a little deeper than the rest for me,” Marcus stated. King’s tales of excess, salvation, breakups and addiction put hard times in the rear view mirror, redefining the path to modern rock stardom. The track blends swampy percussion, fuzzed out guitar and King’s smoldering vocal delivery, sharing his plea for salvation from the path of excess he was walking at the time of making the record.
Tony Shalhoub (“Marvelous Mrs.Marcus King reveals his smoldering new single ‘Rescue Me’ from his upcoming solo album Young Blood, released on August 26th via American Records/Republic, produced by Dan Auerbach.Nathan Lane (“Only Murders in the Building”).Watch our lively chats with Nick Mohammed (“Ted Lasso”) and over 250 more Emmy nominees, including… SIGN UP for Gold Derby’s free newsletter with latest predictions Everybody wants to know: What do you think? Who do you predict and why?
Speak up and share your huffy opinions in our famous forums where 5,000 showbiz leaders lurk every day to track latest awards buzz. Can you top our esteemed leaderboards next? Always remember to keep your predictions updated because they impact our latest racetrack odds, which terrify Hollywood chiefs and stars. Download our free and easy app for Apple/iPhone devices or Android (Google Play) to compete against legions of other fans plus our experts and editors for best prediction accuracy scores. PREDICT the 2022 Oscar nominees through February 8 “It’s the first words they say to the kids and they say it over and over again because I think they are as shocked to see the kids as the kids are to see them.” “There’s a line in the film, when the divers see the boys for the first time, they just say, ‘believe.’ That’s all,” he explains. “Another big part of that is I’m trying to build up towards the song at the end, an unashamedly optimistic and hopeful track to end the film on,” he notes, referring to “Believe,” the song he co-wrote for the film with Gary Go and Aloe Blacc, which plays over the film’s end credits. “It’s so exciting and joyous because you’ve gone through such an intense musical experience beforehand that the release at the end hopefully like gives you that emotional high,” he says. “There’s a release at the end,” Pemberton reveals. The film becomes a genuinely uplifting experience as the boys and their coach are rescued, with the music adding emotional weight to the against-all-odds story. “The thing that you’re really trying to do is get the audience into the mind of what’s happening at that moment on screen and in the divers recollections,” Pemberton explains, pointing to “a few key moments, like them finding the boys and the first boy coming out.” As the film unfolds, recounting how the boys were rescued under such challenging life and death circumstances, Pemberton’s ambient, contemplative score wades in and out of focus, effectively helping to ratchet up the tension onscreen. “The Rescue” for NatGeo chronicles the enthralling events that transfixed the world in 2018, when 12 boys and their coach were rescued from deep inside a flooded cave in Northern Thailand. SEE Gold Derby interviews with 2022 Oscar contenders Watch our exclusive video interview above. We talked with Pemberton as part of Gold Derby’s special film composers “Meet the Experts” Q&A event with key Oscar and guild contenders.
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